Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. Im always on the lookout for Crescendo 70s drivers, working or not - for vintage projects. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. All rights Reserved. G12-100 (T3058, 15ohm) were made in the Rola Celestion period. Later 1970s and 1980s models changed to plastic push tags. The control panel included a fake "ground" switch, to match the look of the original Bassmans. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). 4x12" cabs are overkill for home playing and are really only necessary for large venues. Our loudspeaker selection tools helps you choose the ideal product for your application. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. One is the Hi-Tone Eclipse 4x12 speaker cabinet. David used them on the front end of his Yamaha RA-200 rotary speaker cabinets for Pink Floyd's 1977 tour and 1980-81 performances of The Wall, and in his barn and Hove studios. Those were used with his Hiwatts, and I presume the third was a spare. David had a third WEM loaded with Crescendos behind him as a spare that was used to monitor his second guitarist in the first part of the 2016 tour. It was still fitted with Jensen P10R speakers. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. What does matter is that the cab impedance matches the impedance of your speakers and your amplifier. In 1986 respected English loudspeaker brand McKenzie was acquired as part of the audio group portfolio, another association that continues to the present day. Site developed by Edoru. First, blackface and silverface simply refers to the color of the faceplate behind the knobs. At the outset of the new ownership, key FANE staff who were employed during the 1970s and 1980s were recruited to give the team strength in expertise, commitment to continuous improvement and authenticity to the core FANE character. The Eminence were slightly brighter and slightly dirtier at high volume. Anyone else needs to contact them, just go to the main website. 15911 E Whittier Blvd East Whittier, California Call Now. - Phil Taylor, Guitarist Magazine Jan 1995. Still Own to this Day? WOT'S, UH THE DEAL WITH THE FENDER 59 BASSMAN REISSUES DAVID GILMOUR USED? There is typically zero difference in the sound of one impedance over the other, so it does not matter which you choose. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). vintage 1975 Fane Crescendo 12" speaker 16ohm, Gilmour, Pulsonic Cone . The outer edge of the magnet was wrapped with a ribbed silver foil sticker tape. The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. I bet they're expensive. The modern version of that speaker is the G12H-100. Fane Crescendo 12A 1970s 100w Vintage Guitar Speakers pair Used - Fair $722.88 + $60.24 Shipping It looks like that piece of gear is gone. I wonder if people will like the non-aged Crescendo the same? frame designs, and differing cloth or aluminum dust cap designs. The MB means it's a mid bass driver, like the type used in two-way ported enclosures with a horn tweeter. Thankyou all, I thought it was a mad thought! Fender says they are 30w, but they are actually the same 20w Legend 1028P blue frame Alnicos found in the original Bassman RIs. Korea, Republic of Watkins no longer make WEM cabs and they are extremely very rare to find in good condition these days, and even those in poor condition are very expensive. View similar gear Watch Watch this gear and we'll notify you if it becomes available again. Aluminum caps were popular with many speaker manufactureres in the 1970s. I have also seen different model Fane speakers that have been re-labeled with fake Crescendo labels. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." Shamara Fane Student at Barstow Community College Whittier, California, United States Those were discontinued sometime around 2012-13 and replaced with Vintage Purple speakers built by Warehouse Guitar Speakers. This is a Strat with EMG-SA neck pickup, Boss CS-3 Compressor, and a ProCo Rat. Poll: Who Supports Gibson or Refuse to Support a Company that Sues/Thwarts Competition to Keep Peddling Inferior/Sloppy Products at Inflated Prices. The new Studio series incorporating, amongst others, Colossus models, reflected the very latest developments in acoustic engineering. Models that perfectly balance heritage with innovation, providing the elusive qualities of high performance, exquisite tonality and consistent quality. 16153 Russell St . They work very well with the Hiwatt frequency range however. 16ohm is more efficient for tube amps and 8ohm more efficient for solid state amps. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. he also has a Fane Crescendo clone too. Hey! The Ascension F70, 12-inch, 70 watt, ceramic magnet driver, represents the evolution of a classic tone guitar speaker for players looking for a fresh point of reference. It is unknown what David's used. There are also custom speaker cabinet builders who can build a similar cab (no WEM logo or grille cloth though), like Jeff Swanson of swansoncabinets.com. - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Kits Secret Guitar, Gear, and Music Page The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. Producing high-quality pro audio loudspeakers. IMHO these are some of the best, if not the best, Ceramic/British Voiced speakers available today. While Phil certainly knows what speakers are in David's cabs and combos, David himself seems to have not been that familiar. Also note the notches around the mounting screw holes that cut through the frame spokes. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. All had aluminum dust caps. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. 30-Day Return Policy. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. Hi-Tone Amplification sells a 150w Fane Crescendo replica called the Crescendo 'A', made by Eminence. Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. These are made with a replica of a German-made Kurt Mueller cone, the same type that was used in original 1970s Fane Crescendos. If you want the Delicate Sound of Thunder / Pulse era sound through a Hiwatt, pair the Crescendo A with a Celestion G12T-75 speaker in your cabinet. The Starfinder 200 cabinet size was 30" x 30" x 14 1/2". The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. ou can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. shown above - 59 Fender Bassman LTD (laquered tweed) from 1995 with Jensen PR10 speakers. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. . Foolishly Traded away? There were several amps made by Fender that were in the same tone family as the Twin Reverb - the Dual Showman Reverb, Quad Reverb, Super Six Reverb, and Vibrosonic Reverb. speakers, and Crescendo 15B and 18B PA speakers, all of which have completely different specs and sound than the 12A. Unfortunately, there was no consumer version of the original 1028P speaker offered by Eminence, but at the time I wrote this, Eminence was still making them exclusively for Fender to sell as replacements on their website, and through the Fender Custom Shop, although somewhat expensive. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. Fane branded their stock speakers for Hiwatt, Sound City, and Simms-Watts, but they were usually marked with the same speaker model numbers as the Fane branded versions. Fane used Kurt Mueller speaker cones in the beginning, then changed to Pulsonic cones, then back to Kurt Mueller in the early to mid 1970s. These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. The Showman was sold with a matching speaker cabinet fitted with JBL D-130F 15" speakers with silver dust caps or optional D-140F 15" bass speakers. In 2010 Hiwatt UK briefly sold an unlicensed, China made, WEM branded Starfinder 4x12 cabinet made of particle board with printed cloth. Just remember these are heavy, loud 85-100 watt amps. It is a much darker sound than the other speakers listed above, and may not jump out as well in a band mix, but it still works well for gilmour tones. Fair condition gear should function but will show noticeable cosmetic damage or other issues. Infinity Crescendo CS 3006 Vintage Audiophile Speakers Excellent Tested Working $599.00 $120.00 shipping or Best Offer 2 each Infinity Crescendo CS 3007 Speakers. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. There are many versions of the classic Fender Bassman amp combo, but the model that David is most known for using is the reissue from 1990 called the 59 Bassman. Shown above - Rola Celestion G12-100 from 1982. Whittier Speaker's. 15215 Janine Dr East Whittier, California Call Now. Listed: 3 years ago Views: 340 Watchers: 3 Offers: 0 About This Listing Hello, Shown above - Fane Crescendo speaker catalog pages and ad listings from the early 1970s. FANE was established to manufacture commercial loudspeakers for radio and television sets as well as the new hi-fi industry as the new technologies and economy of the post-war era saw a huge expansion in affordable consumer products. 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